Kim Novak was born in Chicago, Illinois on February 13, 1933 with the birth name of Marilyn Pauline Novak, she was the daughter of a former teacher turned transit clerk and his wife, also a former teacher. Throughout elementary and high school, Kim did not get along well with teachers. She even admitted that she didn't like being told what to do and when to do it. Her first job, after high school, was modeling teen fashions for a local department store. Kim, later, won a scholarship in a modeling school and continued to model part time. Kim later worked odd jobs as an elevator operator, sales clerk, and a dental assistant. The jobs never seemed to work out so she fell back on modeling, the one job she did well. After a stint on the road as a spokesperson for an appliance company, Kim decided to go to Los Angeles and try her luck at modeling there. Ultimately, her modeling landed her an uncredited role in the RKO production of The French Line. The role encompassed nothing more than being seen on a set of stairs. Later a talent agent arranged for a screen test with Columbia Pictures and won a small six month contract. In truth, some of the studio hierarchy thought that Kim was Columbia's answer to Marilyn Monroe. Kim, who was still going by her own name of Marilyn, was originally going to be called Kit Marlowe. She wanted to at least keep her family name of Novak, so the young actress and studio personnel settled on Kim Novak. After taking some acting lessons, which the studio declined to pay for, Kim appeared in her first film opposite Fred MacMurray in Pushover. Though her role as Lona McLane wasn't exactly a great one, it was her beautiful looks that seemed to capture the eyes of the critics. Later that year, Kim appeared in the film, Phffft! with Jack Lemmon and Judy Holliday. Now more and more fans were eager to see this bright new star. These two films set the tone for her career with a lot of fan mail coming her way. Her next film was as Kay Greylek in 5 Against the House. The film was well-received, but it was her next one for that year that was her best to date. The film was Picnic. Although Kim did a superb job of acting in the film as did her costars, the film did win two Oscars for editing and set decoration. Kim's next film was with United Artists on a loan out in The Man with the Golden Arm. Her performance was flawless, but it was was Kim's beauty that carried the day. The film was a big hit. In 1957, Kim played Linda English in the hit movie Pal Joey with Frank Sinatra and Rita Hayworth. The film did very well at the box-office, but was crucified by the critics. Kim really didn't seem that interested in the role. She even said she couldn't stand people such as her character. In 1958, Kim appeared in a dual role of Judy Barton and Madeleine Elster in Alfred Hitchcock's, now classic, Vertigo with Jimmy Stewart. This film's plot was one that thoroughly entertained the theater patrons wherever it played. The film was one in which Stewart's character, a detective, is hired to tail a friend's wife (Kim) and witnesses her suicide. In the end Stewart finds that he has been duped in an elaborate scheme. Her next film was Bell Book and Candle which didn't fare as well at the box-office. By the early, 1960s Kim's star was beginning to fall especially with the rise of new stars or stars that were remodeling their status within the film community. With a few more nondescript films between 1960 and 1964, she landed the role of Mildred Rogers in Of Human Bondage. The film debuted to good reviews. After The Amorous Adventures of Moll Flanders, Kim stepped away from the cameras for a while, returning in 1968 to star in The Legend of Lylah Clare. It flopped. After that, Kim, basically, was able to pick what projects she wanted. After The Great Bank Robbery in 1969, Kim was away for another four years until she was seen in a television movie called The Third Girl from the Left. Subsequent films were not the type to get the critics to sit up and take notice. In 1981, Kim played, of all people, Kit Marlowe in the TV series Falcon Crest. Her last film, on the silver screen, was Liebestraum.



Boys' Night Out (1962): $500,000 + 20% of the gross
Jeanne Eagels (1957): $13,000
Picnic (1955): $100 a week

Raises horses and llamas in Oregon and California Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#92). [1995] For a scene in Picnic (1955) in which she had to cry, she asked director Joshua Logan to pinch her black and blue off screen, telling him, "I can only cry when I'm hurt." Turned down the female lead in Breakfast at Tiffany's (1961), The Hustler (1961) and Animal House (1978) among others because she was focusing her time on personal activities. In "Popular" (1999), the main girl's bathroom in the high school is called "The Novak" which holds all the pictures of the homecoming queens. The name is inspired by when movie stars would donate money to schools (often an alma mater). The writers found out that Kim Novak donated money to a school in the Santa Monica area (where the school/show is set), so they named this room after her. She arrived in Hollywood as The Lavendar Girl. When she became a star at Columbia Pictures, the studio had her blonde hair tinted with lavender highlights. Was the original choice to play "Marion Wormer" in Animal House (1978). Ex-stepmother of Sorel Johnson. Daughter of Joseph A. Novak and Blanche Kral. Sister of Arlene Novak. Met her husband, Dr. Robert Malloy, in 1974 when he came to treat her sick horse. They married two years later in an outdoor ceremony at their home near the Big Sur in California. She has two stepchildren by him. In an interview with Stephen Rebello in the July 2005 issue of Movieline's Hollywood Life, Novak admitted that she had been "unprofessional" in her conduct with director Mike Figgis on how to portray her character in the film Liebestraum (1991). Stepmother of Rebecca Malloy (b. 1966) and Lisa Malloy (b. 1973).