Geraldine Fitzgerald was the only actress to appear as both Laurence Olivier's wife and Rodney Dangerfield's mother-in-law, which surely qualifies her as running the gamut (if not the gauntlet, in the latter case) of A to Z for co-starring with cinema immortals. The Irish lass appeared in many masterpieces of Hollywood's Golden Age, including Wuthering Heights and Dark Victory, to say nothing of her late-career screen work in the blue-collar white-trash classic, Easy Money.

She was born in Dublin, Ireland, on November 24, 1913, and made her theatrical debut at her hometown's Gate Theater in 1932. She appeared in English films from 1934 to 1937 before emigrating to New York City, where she acted with Orson Welles (who had appeared at the Gate when he was all of 16 years old as a protégé of Micheál MacLiammóir). In 1938 she made her Broadway debut with Welles' Mercury Theater in their production of George Bernard Shaw's "Heartbreak House," but her connection with Welles was sundered when she was signed by a Warner Bros. talent scout and decamped to Hollywood. Her first American film turned out to be a masterpiece. Her portrayal of Isabella, the wife of Olivier's Heathcliff in William Wyler's "Wuthering Heights", brought her a Best Supporting Actress Oscar nomination in her very first role in Tinseltown. She followed that up with a supporting turn in the Bette Davis three-hankie tear-jerker "Dark Victory." Other major films she appeared in at Warner Bros. were Shining Victory, The Gay Sisters and Watch on the Rhine, but her career was stymied by a rebellious streak. Like Warner Bros. divas Davis and Olivia de Havilland, Fitzgerald refused roles she disliked and was put on suspension by the studio. Unlike Davis and de Havilland, however, she never won an Oscar, nor did she ever become a star.

She matured into a character actress, appearing in a wide variety of quality movies, including Ten North Frederick, The Pawnbroker, Rachel, Rachel and Harry and Tonto. In later years, she appeared in several hit comedies, among them Arthur.

Fitzgerald appeared on Broadway and off-Broadway in many plays, including revivals of the works of Irish-American playwright Eugene O'Neill (I)' ; she was Mary Tyrone in a 1971 off-Broadway production of "Long Day's Journey into Night" opposite Robert Ryan and was in the 1977 Broadway revival of "A Touch of the Poet" with Jason Robards. She also appeared earlier that year on Broadway in the Pulitzer Prize- and Tony Award-winning play "The Shadow Box." The previous year she had performed in her own cabaret act for a one-week engagement on Broadway, which she then revived in New York nightclubs as "Streetsongs." In addition to singing, she would reminisce about her life. Later, she received Tony Award and Drama Desk nominations for directing "Mass Appeal," a play about Catholic priests.

Geraldine Fitzgerald died in New York City on July 19, 2005 of complications from Alzheimer's disease. She was 91 years old.
Mother of director Michael Lindsay-Hogg, and clinical psychologist, Susan Scheftel. Is a cousin of the famous Australian novelist Nevil Shute whose novel "On the Beach" was made into a film starring Gregory Peck and Ava Gardner. A mechanical engineer by profession, Shute worked on the ill-fated airship, the R101 and on the Great Panjandrum, a wall-busting World War II weapon. Her Broadway debut in 1938 was in the Mercury Theatre production "Heartbreak House" with fellow ex-Gate Theatre performer, Orson Welles who had been impressed by her talent back in Dublin. Was nominated for Broadway's 1982 Tony Award as Best Director (Play) for "Mass Appeal." Her son, Michael Lindsay-Hogg, had been nominated for the same award in 1979 for "Whose Life Is It Anyway?" She is the niece of Irish actress Shelah Richards, who brought her into Dublin's Gate Theatre, where both first worked with Orson Welles. Fitzgerald, in turn, is the great-aunt of contemporary actress Tara Fitzgerald (Sirens), who continues the family tradition, along with Geraldine's son, director Michael Lindsay-Hogg. Received the Handel Medallion, New York City's highest cultural award, for her civic work, particularly in finding theater work for ghetto students in her street theater company. Once Vivien Leigh's school mate, she became a childhood and lifelong friend of Irish actress Maureen O'Sullivan. Due to her combative nature and refusal to appear in several Warner Bros. pictures, Jack Warner would not allow her to take on the Mary Astor role in the classic The Maltese Falcon starring Humphrey Bogart. Received critical kudos for her role as Mary Tyrone in "Long Day's Journey Into Night" on Broadway in 1971 opposite Robert Ryan. Daughter of William, a solicitor, and Mary Fitzgerald, she spent time in a convent school in London while growing up. W.B. Yeats and James Joyce were clients of her father's law firm and often visited the family home when she was a child. First husband, Edward Lindsay-Hogg, was an aristocrat who aspired to be a songwriter. The couple moved to New York from England in 1938 to further his ambitions. Second husband, Stuart Scheftel, was the grandson of Isador Straus, the co-owner of the R.H. Macy Co. who went down on the Titanic in 1912 along with Scheftel's grandmother. Scheftel, a baby at the time, was scheduled to sail with them, but caught a cold and was left behind in England with his nurse. He grew to become a prosperous businessman whose accomplishments include co-founding New York's Pan-Am Building. He first got a crush on Fitzgerald when he saw her on screen in the 1944 film "Wilson" and persuaded a mutual friend, actor Martin Gabel, to arrange an introduction. In the 1960s she founded the Everyman Street Theater, which utilized children from all walks of life as street performers. Known for her liberal sense, she staged several street shows that were all-black productions. A role in the movie Rachel, Rachel required her to sing. Displeased with the results, she took voice lessons. She later became a cabaret artist. Her show "Streetsongs" was a nightclub hit and appeared three times on Broadway over the years. Showed signs of Alzheimer's disease in the early 90s. The death of her husband in 1994 aggravated the severity of her illness afterward.