Dolores del Rio was the first Mexican movie star with international appeal and had a meteoric career in 1920s Hollywood (an extraordinary accomplishment for an Hispanic female on those years). She came from an aristocratic family in Durango. In the Mexican revolution of 1916, however, the family lost everything they had and emigrated to Mexico City, where Dolores became a socialite. In 1921 she married Jaime Del Río (also known as Jaime Martínez Del Río), a wealthy Mexican, and the two became friends with Hollywood producer/director Edwin Carewe. In a somewhat unorthodox manner, for those years, the couple moved to Hollywood where they expected to launch careers in the movie business (she as an actress, he as a screenwriter). Eventually they were divorced after Dolores made her first film, Joanna. THe film was a success and Dolores was hailed as a female Rudolph Valentino. Her career rose until the arrival of sound in 1928. After a number of forgettable films, she married Cedric Gibbons, the well-known art director and production designer at MGM studios. Dolores returned to Mexico in 1942. Her Hollywood career was over, and a romance with Orson Welles--who later called her "the most exciting woman I've ever met"--caused her second divorce. Mexican director Emilio Fernández offered her the lead in his film Flor silvestre, with a wholly unexpected result: at age 37, Dolores Del Río became the most famous movie star in her country, filming in Spanish for the first time. Her association with Fernández' team (cinematographer Gabriel Figueroa, writer Mauricio Magdaleno and actor Pedro Armendáriz) was mainly responsible for creating what has been called the Golden Era of Mexican Cinema. With such pictures as María Candelaria, Abandonadas, Las and Bugambilia, Del Río became the prototypical Mexican beauty in foreign countries. Her career included film, theater and television. In her last years she received accolades because of her work for orphaned children. Her last film was The Children of Sanchez.
Cousin of Ramon Novarro. She won the Ariel (Mexican Academy Award) three times: on 1946 for Abandonadas, Las; in 1952 for Doña Perfecta and in 1954 for Niño y la niebla, El. She contributed money to a statue likeness of her as the title character in Evangeline. Upon completion in 1930, the statue was placed beside St. Martin de Tours Catholic Church in St. Martinville, Louisiana. The statue rests on a spot marking the alleged burial place of Emmeline Labiche, whom local lore claims was the inspiration behind Longfellow's tragic heroine. It has become a popular tourist attraction and is known as "The Evangeline Statue". Often referred to as the female Valentino. Is portrayed by Lucy Cohu in RKO 281 Member of the jury at the Cannes Film Festival in 1957 Member of the jury at the Berlin International Film Festival in 1962 Friend of Marlene Dietrich, who thought Dolores "the most beautiful woman in Hollywood". Reportedly slept for 16 hours a day to maintain her beauty.