Ralph Bellamy, the veteran actor who was so well-liked and respected by his peers that he was the recipient of an honorary Oscar in 1987 for his contributions to the acting profession, was born on June 17, 1904 in Chicago, Illinois. He began his life as a player right out of high school in 1922, joining a traveling company that put on Shakespearean plays. For the next five years, he appeared with stock companies and repertory theaters associated with the Chautauqua Road Co., which brought culture to the hinterlands. He not only learned his craft, he wound up owning his own theatrical troupe by 1927. Two years later, he made his Broadway theatrical debut in "Town Boy" (29 years later, he would win a Tony Award).

Bellamy made the first of his over 100 films in 1933, appearing as a gangster in "The Secret Six." While Ralph Bellamy never became a star or played many leads in A-pictures, he made a career out of playing second-leads in top productions before developing into a character actor. In his heyday in motion pictures, he typically played a rich but dull character who is jilted by the leading lady (he won his only Oscar nomination, for Best Supporting Actor, for just such a role in the 1937 comedy "The Awful Truth, in which he lost Irene Dunne to Cary Grant). He also specialized in redoubtable detectives who always find their man (he starred as Ellery Queen in four B-movies), and as slightly sinister yet stylish villains (the latter typecasting reaching its apogee with his turn as the not-so-kindly doctor in the horror classic "Rosemary's Baby").

Ralph Bellamy's greatest role was as Franklin Delano Roosevelt in Dore Schary's play "Sunrise at Campobello," for which he won a 1958 Best Actor-Dramatic Tony Award. He also reprised his portrayal of Roosevelt in Schary's 1960 movie adaptation of his play, which brought his co-star Greer Garson a Golden Globe award and a Best Actress Academy Award nomination for playing Eleanor Roosevelt.

To play F.D.R. and his struggle with the onset of polio, Bellamy studied up on Roosevelt as both man and politician, gaining an insight into the future president's psyche. Like the Method actors Marlon Brando and Jon Voight, who prepared for their portrayals of paraplegic war veterans in the movies "The Men" (1950) and "Coming Home" (1978) by living in veterans hospitals with paraplegics, Bellamy tried to understand the trauma that F.D.R. underwent and the challenges he faced. Bellamy spent a considerable amount of time at a rehabilitation center learning how to master leg braces, crutches, and a wheelchair to increase the verisimilitude of his portrayal of Rosevelt. So successful was his portrait of Roosevelt, he was called upon a generation later to recreate F.D.R. for the blockbuster TV miniseries "War and Remembrance" (1988). (ironically, Jon Voight himself would later play F.D.R. in the 2001 movie "Pearl Harbor.")

Bellamy also had a prolific career on television, beginning with his 1948 debut in the "Philco Television Playhouse." He starred in one of the first TV police shows, "Man Against Crime," which was on the air from 1949-55, and later had roles in several other TV series, including "The Eleventh Hour" (1963-1964), "The Survivors" (1969), and "The Mostly Deadly Game" (1970). He also appeared in countless TV-movies and tele-plays, and was three times nominated for an Emmy Award.

Known as a champion of actors' rights, Bellamy was one of the founders of the Screen Actors Guild, and also served four terms as President of Actors' Equity from 1952 to 1964. He took office during some of the darkest days of McCarthyism, but positioned Actors' Equity and thus, the Broadway theater to the left of Hollywood by resisting blacklisting. Many of those blacklisted in Hollywood found homes in the theater, as under Bellamy, Actors Equity established standards to protect members against charges of Communist Party membership or exhibiting left-wing sympathies. (One of the charges levied against the legendary stage and film director Elia Kazan, including Rod Steiger at the time Kazan received an honorary Oscar, was that he should have defined the House Un-American Activities Committee and not have named names because he could have remained employed in the theater even if he had been blacklisted in Hollywood.)

Under Bellamy's leadership, Actor's Equity managed to double its assets within the first six years of his presidency and was successful in establishing the first pension fund for actors. It was for his services to the acting community that he was the recipient of an honorary Academy Award in 1987.

Ralph Bellamy died on February 29, 1991 in Santa Monica, California. He was 87 years old.


The Magnificent Lie (1931): $650/week
The Secret Six (1931): $650/week

Was one of the most popular and durable actors in Hollywood, playing everything from handsome heroes in his youth to villainous old men later in his career. Biography in: "American National Biography". Supplement 1, pp. 37-38. New York: Oxford University Press, 2002. Went to New Trier High School, as did Rock Hudson, Hugh O'Brien, Ann-Margret, Bruce Dern, Penelope Milford, Virginia Madsen and Liz Phair. In Howard Hawks' His Girl Friday (1940), Bellamy's character, as happened in several movies, loses his girl to Cary Grant. At one point in the movie, as the conniving newspaper editor, Grant is giving a henchman directions to help him identify Bellamy's character, and Grant says, "He looks like Ralph Bellamy.". Had a daughter named Lynn and an adopted son named Willard. Ralph owned his own stock company for four seasons (1926-1930). It was called "The Ralph Bellamy Players" and it toured Nashville, Evanston, and Iowa (including Des Moines). Overall, he spent nine years in repertory and touring companies, playing over 400 roles, including an average of two or three in each play. Ran away from home at age 17 to join a traveling band of Shakespearean players. He also worked as an usher at Ravinia Park Open Air Pavilion. As a boy he delivered newspapers and groceries, and worked as a soda jerk at a drugstore. Biography in: "The Scribner Encyclopedia of American Lives". Volume 3, 1991-1993, pages 55-56. New York: Charles Scribner's Sons, 2001.