[Guinness discussing how much he disliked working on Star Wars: Episode IV - A New Hope and his attempts to encourage George Lucas to kill off Obi-Wan Kenobi] "And he agreed with me. What I didn't tell him was that I just couldn't go on speaking those bloody awful, banal lines. I'd had enough of the mumbo jumbo." "I shrivel up every time someone mentions Star Wars to me." "Failure has a thousand explanations. Success doesn't need one." "We live in an age of apologies. Apologies, False or true, are expected from the descendants of Empire builders, slave owners and persecutors of heretics, and from men who, in our eyes, just got it all wrong. So, with the age of 85 coming up shortly, I want to make an apology. It appears I must apologise for being male, white, and European." In 1985 he told the Guardian newspaper that he hoped by the end of his life to have put everything in order -- "a kind of little bow, tied on life. And I can see myself drifting off into eternity, or nothing, or whatever it may be, with all sorts of bits of loose string hanging out of my pocket. Why didn't I say this or do that, or why didn't I reconcile myself with someone? Or make sure that someone whom I like was all right in every way, either financially or, I don't know..." Alec Guinness once sent a script back with a polite rejection. The writer came back with a "we tailored it just for you." He simply replied: "But no one came to take measurements." "I gave my best performances during the war - trying to be an officer and a gentleman." "I prefer full-length camera shots because the body can act better than the face." "I don't know what else I could do but pretend to be an actor." "Once I've done a film, it's finished. I never look at it again." "Getting to the theatre on the early side, usually about seven o'clock, changing into a dressing-gown, applying make-up, having a chat for a few minutes with other actors and then, quite unconsciously, beginning to assume another personality which would stay with me (but mostly tucked inside) until curtain down, was all I required of life. I thought it bliss." "An actor is an interpreter of other men's words, often a soul which wishes to reveal itself to the world but dare not, a craftsman, a bag of tricks, a vanity bag, a cool observer of mankind, a child, and at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerise a group of innocents." Personally, I have only one great regret - that I never *dared* enough. If at all." To a group of reporters upon winning his Oscar, 1958: "No doorstop shenannigans for me, boys. I have a nice mantel where I'm going to display it." "Apart from the money, I regret having embarked on the film. I like them well enough, but it's not an acting job, the dialogue - which is lamentable - keeps being changed and only slightly improved, and I find myself old and out of touch with the young" - during filming of Star Wars "The Times reports I've made £4.5 million in the past year. Where do they get such nonsense?" - on media reports of his income from the Star Wars films "The only really disappointing performance was Tony Daniels as the robot - fidgety and over-elaborately spoken. Not that any of the cast can stand up to the mechanical things around them" - on the performances in Star Wars "Science fiction - which gives me pause - but it is to be directed by Paul Lucas, who did American Graffiti, which makes me think I should. Big part. Fairytale rubbish, but could be interesting" - while considering doing Star Wars "I liked him. The conversation was divided culturally by 8,000 miles and 30 years; but I think we might understand each other if I can get past his intensity" - on his first lunch meeting with George Lucas "The stage was my prime interest. I had no ambition to be a film actor and a screen career seemed unlikely to come my way. I'd done a stage adaption of Great Expectations before the war and this had been seen by David Lean and Ronald Neame. I went into the navy during the war, and when I came out they were preparing their film of Great Expectations. They remembered my performance on the stage and asked me if I'd go into their film as Herbert Pocket. I'd thought of film as a much greater mystery than the theatre and I felt a need to begin in films with a character I knew something about." [on The Bridge on the River Kwai] "The original script was ridiculous, with elephant charges and girls screaming round in the jungle. When David Lean arrived, with a new screenwriter, it became a very different thing. I saw Nicholson as an effective part, without ever really believing in the character. However, it paid off; it was a huge success and I got an Oscar for it, though I don't think it made an enormous difference in my career." "Essentially I'm a small part actor who's been lucky enough to play leading roles for most of his life." "Flamboyance doesn't suit me. I enjoy being elusive." "I am always ashamed of the slowness of my reading. I think it stems...from the fact that when I come across dialogue in a novel, I can't resist treating it as the text of a play and acting it out, with significant pauses and all." "Once I do a film, it's finished. I never look at it again." [On Laurence Olivier after the death of the only acting peer of the realm]: "Olivier made me laugh more as an actor (in eccentric comedy parts) more than anyone else. In my case, I love him in comedy and am not always sure about him in tragedy." "It's a pretty staggering film as spectacle and technically brilliant. Exciting, very noisy and warm-hearted. The battle scenes at the end go on for five minutes too long, I feel; and some of the dialogue is excruciating and much of it is lost in noise, but it remains a vivid experience. The only really disappointing performance was Tony Daniels as the robot - fidgety and over-elaborately spoken. Not that any of the cast can stand up to the mechanical things around them." - His diary entry after viewing Star Wars: Episode IV - A New Hope for the first time "An actor is at his best a kind of unfrocked priest who, for an hour or two, can call on heaven and hell to mesmerize a group of innocents." "An actor is totally vulnerable. His total personality is exposed to critical judgment - his intellect, his bearing, his diction, his whole appearance. In short, his ego." Asked if he was a rich man: "No, not rich. Compared to striking miners and workless actors very rich: compared to successful stockbrokers and businessmen I expect I would be considered nearly poor." Asked if Star Wars: Episode IV - A New Hope had made him a fortune: "Yes, blessed be Star Wars: Episode IV - A New Hope. But two thirds of that went to the Inland Revenue and a sizable sum on VAT. No complaints. Let me leave it by saying I can live for the rest of my life in the reasonably modest way I am now used to; that I have no debts and I can afford to refuse work that doesn't appeal to me."